The first idea you had was the same first idea that I had -- comparing Raskolnikov with the Underground man. Since that was the idea that came to both our minds first, I do not feel like it would be a good topic to choose because it is the easiest topic to come up with. I am not choosing that topic for that same reason. I feel like it would be too simple since it is the most obvious thesis anyone in our group will come up with.
I really like your fourth topic -- I hadn't thought about it as generosity. In my ideas, one of my thesis is studying Raskolnikov's personality in its entirety, because he is insane and I want to really study what leads him to do something like that not only from the standpoint of the book but also from a psychological standpoint, and I want to study why he does commit good actions, but I hadn't thought of taking the topic of generosity to the extent where an entire essay is written on it. I think you could find a lot to write for that and it is a good thesis to analyze and elaborate on.
I love the thesis about finding the "wall", I think you could definitely use both the discussions we've had in class and come up with your own analysis for that topic and incorporating that with Crime and Punishment. Really good topic for you
I think you could do a lot with the thesis about the "great man", it is a little bit similar to my thesis about Raskolnikov being a hero, or rather if the thinks of himself as a hero and justifies himself for what he did. You are correct that he does commit very good actions, so I think this topic will be very interesting to elaborate and truly comprehend Raskolnikov's thoughts and actions.
Sunday, February 23, 2014
4 Thesis Ideas
1. Dig into simply why Raskolnikov did what he did, and compare that to the discussion we had with NFTU that had to do with eliminating those who cannot do any more for society
2. Asking whether Raskolnikov considered himself a "hero" with his action, yet why he regretted it and feared it as well. The essay will mostly focus on his inner self and psychology about him, since he DID commit good actions as well... how he justifies what he did, the fear that happens to him right after he does it... this essay will study not only Raskolnikov but also study how other humans would react to situations of the sort. the selfishness, poverty, insanity that led him to commit an action of the sort... does nature and nurture have to do with why Raskolnikov did what he did???
3. Compare Raskolnikov with the Underground Man in personality, thought process, motives, etc.... separation from society that the two undergo. I would also compare him with Amir from Kite Runner because they both committed a really bad action that truly harmed another person.
4. This idea is primarily about Dostoevsky -- why did he write a book like this, what message was he trying to portray, how does this stem from NFTU, incidents in Dostoevsky's life that led to him being influenced to writing a book of this sort -- does this reflect Russia in the time he lived?
The two in bold are the two I am more likely to do.
2. Asking whether Raskolnikov considered himself a "hero" with his action, yet why he regretted it and feared it as well. The essay will mostly focus on his inner self and psychology about him, since he DID commit good actions as well... how he justifies what he did, the fear that happens to him right after he does it... this essay will study not only Raskolnikov but also study how other humans would react to situations of the sort. the selfishness, poverty, insanity that led him to commit an action of the sort... does nature and nurture have to do with why Raskolnikov did what he did???
3. Compare Raskolnikov with the Underground Man in personality, thought process, motives, etc.... separation from society that the two undergo. I would also compare him with Amir from Kite Runner because they both committed a really bad action that truly harmed another person.
4. This idea is primarily about Dostoevsky -- why did he write a book like this, what message was he trying to portray, how does this stem from NFTU, incidents in Dostoevsky's life that led to him being influenced to writing a book of this sort -- does this reflect Russia in the time he lived?
The two in bold are the two I am more likely to do.
My Four Theses for Crime and Punishment
The first idea for a thesis that I
had for Crime and Punishment is to compare the different aspects of Dostoyevsky’s
personality were present in both the Underground Man and Raskolnikov. Seeing as
both these books seem to be trying to prove some point or enlighten others on Dostoyevsky’s
personal beliefs and philosophies. Basically, I feel that these books are a
much more artfully crafted and presented form of Atlas Shrugged, for example,
Raskolnikov’s idea of “great men” seems to be one of the key philosophies
driving many of the forces and examples in Crime and Punishment. Also, seeing
as it’s the books title, Crime and Punishment seems to question many of society’s
perceptions on crime and punishment and Dostoyevsky seems to be trying to make
a point towards these ideas within society.
Another thesis I came up with for
Crime and Punishment is trying to determine if Raskolnikov thought of himself
as a truly “great man.” Raskolnikov certainly acted as though he were a “great
man” in his pursuit of his goals, yet he seems to lose sight of his goal and it
becomes unclear if he actually believes in his theory any more. Raskolnikov’s
idea of a great man is someone who had a defined set of goals and would do
anything to accomplish them, therefore I would have to find if Raskolnikov had
any truly great goals that he strove for, or if his actions were completely irrational.
Another thesis based off of a similar
idea would be to try to find “the wall” in crime and punishment. Because Dostoyevsky
put a large emphasis of his philosophy on this concept in “Notes from the
Underground,” there is no way that “the wall” does not exist in some form in
Crime and Punishment. The wall does not necessarily have to have a concrete
form or directly exist as some sort of goal within the book. The wall would
have to exist in some sort of a force and a general will for certain characters
to act in a certain way. It will manifest itself in the characters actions and
decisions throughout the book and would influence certain characters to act towards
an end, even though they might not know it. The wall might also manifest itself
in the fact that certain characters are trying to break down the wall, or form the
wall, by searching for explanations for things.
My final idea for a thesis in Crime
and Punishment would be analyzing the role that generosity played throughout
the book. Raskolnikov seemed to be hell-bent on being as generous as possible,
even though every time he was generous he immediately regretted what he did.
Yet, it seems that Raskolnikov’s generosity might have had a little bit more of
a malicious intent in that he felt the need to be in control of others fortune,
or misfortune, as it gave him some sort of a power high. This then begs the
question, was Raskolnikov giving to benefit others, or was he trying to benefit
himself in the pursuit of an action that was clearly against his immediate
self-interests.
Monday, February 17, 2014
Final blog
I know this is late — Crime and Punishment took me a little longer to finish than I had expected being that my birthday was this weekend. I cannot say I necessarily enjoyed this novel, but it did teach me a lot in analyzing. When I say analyzing, I do not really say it as in I learned how to analyze the novel, but instead make educated comparisons between different works written by one specific author, Dostoevsky. I had not really done this before — reading more than one work by the same author in an analytical setting — so doing so really opened my mind to studying how one author puts himself in his work.
Speaking about making comparisons, on one of the Notes From the Underground blog, I had written a post specifically about the similarities between the Underground man and Raskolnikov. Raskolnikov, main character of Crime and Punishment, and the Underground man, from Notes of the Underground, both think too much — leading them to sometimes, like Raskolnikov, commit horrendous actions. Raskolnikov kills his pawn broker for no important reason — simply because he did not get a good vibe from her and she was useless. Now, when I first wrote the post comparing the two, I said that I thought the Underground man was going to become a psycho murderer just like Raskolnikov because I did not know better and his cynical, almost masochistic personality made me think so. Today, after having had multiple class discussions (which are extremely helpful), I learn that the Underground is not so much of a psycho murderer, but one who just thinks “logically” and questions EVERYTHING. I think, if the Underground man were to have been in Raskolnikov’s position, he probably would have had the thought to kill her because she was useless, and he was superior, and just like the discussion we had in class, once someone is useless it is time to leave them behind and move on. The difference here, though, is that the Underground man would NOT have killed her — maybe because of morals, maybe because of cowardice, maybe because he comes to more humane conclusions than did Raskolnikov. In Crime and Punishment, I do see Dostoevsky’s rather dark writing, because of the theme. Raskolnikov literally killed two innocent women simply because he did not “like” one of them, and the other was a witness. I feel like Crime and Punishment moves a LOT slower than does Notes from the Underground. In Notes from the Underground, we constantly move from one thought to another and get from one point to another… never having a dull moment. Instead, in Crime and Punishment, everything movies a LOT slower and because of this reasons sometimes it was really a burden for me to get the novel and read it all page by page for that week’s blog.
I truly did appreciate being a part of the term paper group that has Crime and Punishment because I was really able to analyze how a writer changes from one novel to the next, yet still portrays himself in both. From what I read in the two books, if I were to make a description of Dostoevsky’s character, it would be someone who is incredibly introvert and always thinking — someone who feels incredibly superior to others and makes it known through his isolation. In Crime and Punishment, Raskolnikov truly goes AGAINST the crowd — he killed two innocent people. In Notes from the Underground, the Underground man does not wan tot go agains tt he crowed but is kin do forced to. I would like to know where that differentiation sprung from.
Overall, I loved Notes from the Underground, but Crime and Punishment not so much. It was truly a weight picking up the book and annotating and reading every page… It was not as good as I expected it to be. Nevertheless, I really love Dostoevsky’s writing.
Sunday, February 16, 2014
Final Commentary (Alexia Barrios)
I have to say I feel somewhat
accomplished now that I have finished reading Crime and Punishment. I cannot deny that there were moments were I
begrudgingly picked up the book to read for my assignments, but by the time I
finished the novel I came to enjoy it.
Having now read and discussed Notes from the Underground there are
undeniable similarities between them that only lead me to learn more about
Dostoyevsky himself. The
alienation of his main characters from society seems to be a reoccurring theme in
his pieces, as they appear in both Notes
from the Underground and Crime and
Punishment. In Crime and Punishment,
this is one of the primary themes of the novel. His alienation from society
stems from his air of superiority and his overwhelming amount of pride. These
traits leave him to be someone who cannot relate to others because his pride
and superiority complex does not allow him due to the fact he finds those
around him to be inferior in comparison to himself. This isolation only grows
as the novel continues. As his punishment, the psychological and somewhat
psychical torment, commences after the murders, his isolation grows with his
guilt. What I found interesting and unexpected from Rodia, was that in the
Epilogue he is somewhat due to the power of love is able to put break through
this superiority complex as “something lifted him and flung him down at her
feet.” and Sonya “…for her there was no longer any doubt that he loved her,
loved her infinitely, and that at last the moment had come…” (520) This event
is significant because it is Rodia breaking away from his alienated lifestyle
and becoming a member of society again which may very well be the beginning of
his journey to atonement (which is probably why the entire scene was a very
emotional one for him).
Dostoyevsky is a brilliant man and
I found many of the themes and ideas he presented to be very thought provoking
making the book interesting. Though many times I found myself frustrated with
his use of suspense when it came to Rodia confessing to the murders, I believe
that it was vital for him to do it exactly the way he did it as it makes the
end just that much more satisfying. He committed the crime early on in the
novel and the real punishment that is presented in the Epilogue does come for
hundreds of pages due to Dostoyevsky’s use of suspense. Dostoyevsky’s main
focus was not on the crime itself or the punishment, but everything that
happened in between. The psychological torment endured by Rodia is Dostoyevsky
performing and describing an analysis of a criminal by allowing us to see what
is going on inside their head. We witness all his emotional and physical
torment and that is the main focus of the story; how the character deals with
guilt. From my understanding of the novel, the whole point that Dostoyevsky is
attempting to make here is that the punishment is not as bad as we think it is,
the psychological repercussions of attempting to avoid that punishment are
instead far worse.
Final Comment on the Reading of the Book
Now that I have finished reading Crime and Punishment, I have
no idea what to make of Dostoyevsky’s sanity or insanity or just how much of Raskolnikov
character is representative of Dostoyevsky or how much of it is representative
of his ideas. Personally, I have a hunch towards the idea that Raskolnikov is
either somewhat or majorly a segment of Dostoyevsky’s personality in that I
could easily seeing Dostoyevsky as an extreme outcast and that he could think
similarly to Raskolnikov in that same sort of insane way. Also, the fact that
Raskolnikov embodies many of Dostoyevsky’s ideals is relatively consistent with
the way that he writes in most of his other books, seeing as they are mostly
responses to or original forms of ideas of general philosophy. If I were to
choose a single theme that this book is commenting on is the existence or role
that guilt plays in both society and the individuals mind and different
situations. The main comment that I have on the book as a whole is that I
really hated the ending, the fact that Dostoyevsky starts hinting that
Raskolnikov is finally getting better and realizing his insanity, then he goes
and just ends the book before giving any sort of sense of a real ending to what
happened to Raskolnikov. Also the fact that the book ended on a somewhat happy
note really kind of annoys me, because I had been expecting the book to go out
with a bang and end horribly, that way there would be an actual ending, as
opposed to this feeling of incompleteness that you finally want to know more
about Raskolnikov, but the book suddenly ends. To be honest, I can see a lot of
parallels between Raskolnikov and the underground man, not only in the ways
that they act, but the theories that they have, and I feel that it would be
interesting to try to extract the general thoughts that Dostoyevsky have on the
different subjects that he talks about. Therefore, I am probably going to write
my thesis on the general concept of “Dostoyevsky-ism” or what defines his
general philosophical perspective. With that I will try to relate the themes
and events in the book to the different ideas that Dostoyevsky might have had,
whether or not they are at all logical. Personally, I think that the whole idea
of contemplating the truth of meaning and many of the things that Dostoyevsky
talks about are almost entirely purposeless and lack any semblance of sense. I
mean it makes sense in some of the assumptions he makes, but many of the
conclusions he tries to draw really don’t make any good conclusions, but I
would like to try to bring as much of a complete idea as I can form Dostoyevsky’s
writings.
Sunday, February 9, 2014
almost done
First of all, I know mine is late -- I'm sorry! I recorded all weekend and finished at 9 tonight, so I was only able to finish all the work now.
So.... Raskolnikov is finally accused as the murderer. Nobody believed it could have been the painter because he barely knew any thorough information about the crime and because he was really innocent. Porifiry is convinced Raskolnikov is the true murderer because he has a lot of evidence, but not enough yet to arrest him. He is also absolutely sure that Raskolnikov will confess because he will be consumed by his guilt.... That makes me think that a lot of the people closely around him know how actually really vulnerable Raskolnikov is. To further keep on the down low the fact that he is a KILLER, he threatens Svrigaladov whenever he touches upon Dounya because she appears to be a sensitive point for him. Svrigaladov says that it is very fun observing, watching, and hearing every move and word Raskolnikov says.... Sometimes I try to picture how he would be in my head but I cannot fully grasp him. I am curious to see when he is going to confess. I have a really good feeling he will.
So.... Raskolnikov is finally accused as the murderer. Nobody believed it could have been the painter because he barely knew any thorough information about the crime and because he was really innocent. Porifiry is convinced Raskolnikov is the true murderer because he has a lot of evidence, but not enough yet to arrest him. He is also absolutely sure that Raskolnikov will confess because he will be consumed by his guilt.... That makes me think that a lot of the people closely around him know how actually really vulnerable Raskolnikov is. To further keep on the down low the fact that he is a KILLER, he threatens Svrigaladov whenever he touches upon Dounya because she appears to be a sensitive point for him. Svrigaladov says that it is very fun observing, watching, and hearing every move and word Raskolnikov says.... Sometimes I try to picture how he would be in my head but I cannot fully grasp him. I am curious to see when he is going to confess. I have a really good feeling he will.
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